YouTube

Media Archive
Coverage,
interviews
and moving image.
A collected archive of video conversations, talks and editorial coverage around Sabir Nazar's paintings, cartoons, murals and public commentary.
Video Archive
Interviews, talks and studio footage.
A dedicated run of recorded conversations, talks and visual features, kept first in the sequence so the page opens into moving image before editorial coverage.
YouTube Channel
Self Portrait and Watercolors
YouTube
Mural at Lok Virsa, Islamabad
YouTube
Interview with UrduPoint
YouTube
TEDx FC College
Samaa TV
Illustrated Dictionary of Naya Pakistan
YouTube
Interview with Daryl Cagle
BBC
Interview with BBC
Press Coverage
Articles and editorial features.
Profiles, reviews, essays and cultural commentary collected below the video archive in a cleaner card grid.
The Friday Times
Painter and Enchanter
POLITICO
What do these international cartoonists think of the US election?
Independent Urdu
An Artist Who Favors Indigenous Symbols
Khaleej Times
The political cartoon is not dead: long live the cartoon
Dawn
Exhibition featuring works of noted cartoonist opens
The Friday Times
Art and the People
The News on Sunday
Reading Psychologists in Punjabi
The Express Tribune
The untold story of editorial cartoonists
Dawn
Visual artists' satire fest kicks off
The Economist
Paperless cartoons
Himal Southasian
The invisibility of the princesses
Testimonials
Critical reflections on the work.
Two readings of Sabir Nazar's practice, focused on narrative structure, political depth and the enduring use of indigenous symbolism.
Mian Ijaz ul Hassan
09 March 2020
Sabir Nazar is among the few Pakistani artists who absorb the social and political concerns of our time. He has a penetrating vision and an unusual skill to delineate characters, objects and form with simple elements.
In order to express his intentions he employs popular myths and folklore. Many of his paintings have an elaborate narrative, but they are seldom cluttered. Elements are not huddled together but part of an established whole. Pictorially his works individually engage the viewer to narrate their tales that the viewer is expected to unravel.
His still life renderings are self-indulgent but satisfying. They delight in exuding colour and smile at you with cheerful light.
In brief, I find Sabir's works aesthetically exquisite, imaginatively enchanting and, in the social context, intellectually enriching.
Fouzia Saeed
Folklorist and cultural activist
Most of Nazar's paintings are as powerful with political ideas as his cartoons. He has skillfully used ancient symbols to depict contemporary political issues, such as the legends of Puran Bhagat, Ranjha, the crocodile (gharial), cat and mouse, religious institutions, market forces and the way global forces exploit our resources.
Responding to a question, Ms Saeed said every artist has his or her own style and it would be unfair to make a comparison. However, according to her, what makes Nazar's work stand out from others is its strong political undertones and its use of indigenous symbols.