Media archive background

Media Archive

Coverage,
interviews
and moving image.

A collected archive of video conversations, talks and editorial coverage around Sabir Nazar's paintings, cartoons, murals and public commentary.

ArticlesInterviewsBroadcastsStudio VideosTalks

Video Archive

Interviews, talks and studio footage.

A dedicated run of recorded conversations, talks and visual features, kept first in the sequence so the page opens into moving image before editorial coverage.

Testimonials

Critical reflections on the work.

Two readings of Sabir Nazar's practice, focused on narrative structure, political depth and the enduring use of indigenous symbolism.

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Mian Ijaz ul Hassan

09 March 2020

Sabir Nazar is among the few Pakistani artists who absorb the social and political concerns of our time. He has a penetrating vision and an unusual skill to delineate characters, objects and form with simple elements.

In order to express his intentions he employs popular myths and folklore. Many of his paintings have an elaborate narrative, but they are seldom cluttered. Elements are not huddled together but part of an established whole. Pictorially his works individually engage the viewer to narrate their tales that the viewer is expected to unravel.

His still life renderings are self-indulgent but satisfying. They delight in exuding colour and smile at you with cheerful light.

In brief, I find Sabir's works aesthetically exquisite, imaginatively enchanting and, in the social context, intellectually enriching.

"

Fouzia Saeed

Folklorist and cultural activist

Most of Nazar's paintings are as powerful with political ideas as his cartoons. He has skillfully used ancient symbols to depict contemporary political issues, such as the legends of Puran Bhagat, Ranjha, the crocodile (gharial), cat and mouse, religious institutions, market forces and the way global forces exploit our resources.

Responding to a question, Ms Saeed said every artist has his or her own style and it would be unfair to make a comparison. However, according to her, what makes Nazar's work stand out from others is its strong political undertones and its use of indigenous symbols.